The question I can never answer cleanly.
People love to ask what you do. And they love a clean answer. "I'm a graphic designer." "I'm a UX designer." "I'm a motion designer." I've never been able to give anyone that answer and feel like it was honest. I do brand identity. I do UX/UI. I do motion. I do 3D. I do typesetting. I shoot and edit video. I've led campaigns for products licensed by Hasbro and Disney/Pixar. I've designed the interior of a 200-page book. I built my career across agencies, in-house teams, and remote global productions, and the thread running through all of it is that I refused to stop at any one thing. That wasn't a strategy. It was curiosity.
Why range beats depth in creative work.
The work that actually moves product and builds brands doesn't live in a single discipline. A campaign isn't just a visual. It's a strategy made tangible. That is motion, copy, identity, and user behavior all working in the same direction at the same time. When you only know one of those pieces, you can execute. But you can't lead. You can't see the whole board.
Why I still haven't left Adobe, and probably never will.
Adobe gets this right in a way most people don't appreciate. I use Illustrator, Photoshop, After Effects, Premiere, InDesign, and Audition, and the reason the ecosystem works is because it's connected. The assets talk to each other. The workflows feed each other. There's nothing as integrated as Adobe right now, and that integration reflects how creative work actually happens: not in isolated lanes, but in layers.
What Blender did to my brain.
I added Blender to my toolkit not long ago and the first day I used it I was completely sold. Not because I'm dramatic, but because I recognised immediately that 3D takes creative work to a completely different dimension. Renders alone have changed how I approach product marketing visuals. Pick up the tools. Learn the disciplines. The goal isn't to be average at everything. The goal is to be dangerous across the board.